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Abstract
This article evaluates and compares the ways in which women are dehumanized and limited to the role of “objects of desire”. The concept of the male gaze is used to depict how women are objectified in La invención de Morel by Adolfo Bioy Casares and Rosario Tijeras by Jorge Franco, including it’s cinematic interpretation by Emilio Maillé. Ultimately, all authors and directors sexualize female characters by limiting them in passive roles, depicting them as exotic objects in the eyes on the audience, the characters in the stories, and through narration and cinematography. This objectification reinforces passive female roles and a hegemony that takes away their agency.
